As they interact with other travelers, have conversations, and respond to Caulkin's character's challenges to the idea of this kind of travel, the movie unfolds like a short story. The story serves as a vehicle for conveying emotions, the direction is incisive, and the dialogue shifts from humorous to serious, just like in real life. Some movies leave a lasting impression on viewers thanks to their closing close-ups. One shot of a face telling a story is what we saw in Pacino's Godfather Two, DeNiro's Once Upon a Time in America, and now Caulkin's.