Pablo Larraín's "Maria Flixtor" is a resounding success. The film exceeded my expectations, which is a wonderful surprise given my admiration for Larraín's unofficial series of films. There’s something uniquely innovative about his work that captivates me. Among the three films, "Maria" stands out as the most conventional—it's less subversive and not as experimental. However, it still manages to avoid the usual clichés associated with biopics.